![\"\"](\"https:\/\/www.aa.com.tr\/uploads\/userFiles\/62b9c0eb-4e87-48ef-a6ff-98afa4ee93c3\/2021%2FEKIM%2Fjapon.jpg\")
<\/p>\nDr. Naoki Qayyim Yamamoto, 4 y\u0131ld\u0131r \u0130stanbul’da ya\u015f\u0131yor. 32 ya\u015f\u0131nda. \u00dcniversitede H\u0131ristiyanl\u0131k e\u011fitimi almas\u0131na ra\u011fmen 12 y\u0131l \u00f6nce \u0130slam’\u0131 se\u00e7ti. Yamamoto M\u00fcsl\u00fcman kimli\u011fini muhafaza etme aray\u0131\u015f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcrken ald\u0131\u011f\u0131 teklif \u00fczerine \u0130stanbul’a geldi. \u015eu an \u0130bn Haldun \u00dcniversitesi Sakura Japonya Ara\u015ft\u0131rmalar\u0131 Merkezi M\u00fcd\u00fcr\u00fc ayn\u0131 zamanda Marmara \u00dcniversitesi T\u00fcrkiyat Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc’nde \u00f6\u011fretim \u00fcyesi olarak \u00e7al\u0131\u015f\u0131yor. Osmanl\u0131’da tasavvuf ve Asya medeniyetinde \u0130slam tarihi ve d\u00fc\u015f\u00fcncesi \u00fczerine ders de veren gen\u00e7 akademisyen T\u00fcrkiye ve Japonya aras\u0131nda manevi bir k\u00f6pr\u00fc kurmak istiyor. Bu ba\u011f\u0131n ilk d\u00fc\u011f\u00fcm\u00fcn\u00fc de iki y\u0131l e\u011fitimini ald\u0131\u011f\u0131 \u00e7ay seremonisi ile atan Yamamoto, bir\u00e7ok farkl\u0131 mekanda, ye\u015fil \u00e7ay matcha ikram ediyor.<\/p>\n
<\/p>\n
Japonlar\u0131n \u00fcnl\u00fc ye\u015fil \u00e7ay\u0131n\u0131n haz\u0131rlanmas\u0131ndan i\u00e7ilmesine kadar bir\u00e7ok estetik kural bar\u0131nd\u0131ran seremonisinde, davetlilerin usullerin d\u0131\u015f\u0131na \u00e7\u0131kmayarak verilmek istenen mesajlar\u0131 tam anlam\u0131yla hissetmesi \u00f6nem ta\u015f\u0131yor.<\/p>\n
Naoki Qayyim Yamamoto\u200b\u200b\u200b\u200b\u200b\u200b\u200b’nun S\u00fcleymaniye Salis Medresesi’nde alt\u0131 \u00f6\u011frencisine sundu\u011fu \u00e7ay seremonisine AA muhabiri de misafir oldu.<\/p>\n
Yamamoto, \u00e7ay seremonisine uygun, g\u00f6steri\u015fsiz ve sade bir k\u0131yafet giyerek \u00f6\u011frencilerin yan\u0131na geliyor. \u00d6\u011frencilerin aralar\u0131ndan belirledi\u011fi birisi, Yamamoto\u2019nun kar\u015f\u0131s\u0131na ge\u00e7erek matcha \u00e7ay\u0131n yap\u0131m\u0131n\u0131 en yak\u0131ndan izliyor.<\/p>\n
Ev sahibi Yamamoto, \u00e7ay setini ve temizleme ara\u00e7lar\u0131n\u0131 yava\u015f\u00e7a \u00e7\u0131kar\u0131yor. S\u00fcre\u00e7 hep yava\u015f ve \u00f6zenli bir \u015fekilde ilerliyor. A\u011f\u0131r hareketin sabr\u0131 \u00f6\u011fretti\u011fine ve \u00e7aya sanatsal bir anlam kazand\u0131rd\u0131\u011f\u0131na inan\u0131l\u0131yor.<\/p>\n
“\u00c7ay Seremonisi 700 y\u0131l \u00f6nce ba\u015fl\u0131yor. \u015eimdiye kadar devam eden en eski sanatlardan birisi. \u00c7ay seremonisinin Japoncas\u0131 ‘Sado’. ‘Sa’ \u00e7ay demek, ‘do’ y\u00f6n demek. Yani ‘\u00e7ay y\u00f6n\u00fc’, ‘\u00e7ay tarikat\u0131’ demek. \u00c7ay, hizmet vesilesiyle kendini geli\u015ftirme, hakikati bulma, manevi pratiktir, e\u011fitimdir.” s\u00f6zleriyle Yamamoto k\u0131sa bir \u00f6n bilgi veriyor.<\/p>\n
![\"\"](\"https:\/\/www.aa.com.tr\/uploads\/userFiles\/62b9c0eb-4e87-48ef-a6ff-98afa4ee93c3\/2021%2FEKIM%2Fjapon1.jpg\")
<\/p>\n
\u00c7ay rit\u00fcelini en yak\u0131ndan izleme \u015fans\u0131n\u0131 yakalayan \u00f6\u011frenci ile birbirlerine “Yoroshiku Onegaishimasu” yani “Tan\u0131\u015ft\u0131\u011f\u0131ma memnun oldum, ilginize te\u015fekk\u00fcr ederim.” diyerek sayg\u0131lar\u0131n\u0131 sunuyorlar.<\/p>\n
Yamamoto “Sadece \u00f6\u011frenci hocaya kar\u015f\u0131 de\u011fil, hoca da \u00f6\u011frenciye \u015f\u00fckretmeli. \u00c7\u00fcnk\u00fc \u00f6\u011frenci olmazsa hoca da olmuyor.” s\u00f6zleriyle taraflar\u0131n birbirine ihtiyac\u0131n\u0131 a\u00e7\u0131kl\u0131yor.<\/p>\n
Verilen bu \u00f6n bilgilerin ard\u0131ndan \u00e7ay setinin temizli\u011fi ba\u015fl\u0131yor. Fincan yerine kullan\u0131lacak kaseler temizlemeden \u00f6nce mendile belirli bir \u015fekil veriliyor. \u0130\u015faret parma\u011f\u0131yla mendil yava\u015f\u00e7a katlan\u0131yor. Tepsideki ara\u00e7lar estetik kurallar \u00e7er\u00e7evesinde temizleniyor.<\/p>\n
Yamamoto, nas\u0131l insan\u0131n i\u00e7inde bir ruh varsa \u00e7ay aletinin de bir ruhunun oldu\u011funu ifade ederek, \u015funlar\u0131 anlat\u0131yor:<\/p>\n
“\u00c7ay seti de Tanr\u0131\u2019ya \u015f\u00fckretmek istiyor, ibadet etmek istiyor. \u0130badet etmeden \u00f6nce abdest almak laz\u0131m. Kendisi hareket etmiyor, o y\u00fczden insan yard\u0131m edecek. \u0130nsan, mendili kullanarak \u00e7ay kasesini temizleyecek. Ka\u015f\u0131k, kase, f\u0131r\u00e7a hepsi temizlendikten sonra tanr\u0131ya \u015f\u00fckredecekler. \u00c7ay aleti, b\u00fcy\u00fck alemin temsili. \u0130nsan, k\u00fc\u00e7\u00fck alemin temsili. B\u00fcy\u00fck alem ve k\u00fc\u00e7\u00fck alem birbirine yard\u0131m edecek. \u00c7ay aleti olmad\u0131\u011f\u0131 halde, insan \u00e7ay seremonisi yapamaz, insan olmad\u0131\u011f\u0131 halde \u00e7ay aleti de abdest alam\u0131yor, Tanr\u0131’ya kar\u015f\u0131 \u015f\u00fckredemiyor.”<\/p>\n
Japon ye\u015fil \u00e7ay\u0131 matchan\u0131n i\u00e7ilmesinden \u00f6nce misafirlere tatl\u0131 veriliyor. Tatl\u0131 ikram\u0131 rit\u00fcelin \u00f6nemli k\u0131s\u0131mlar\u0131ndan biri. Tatl\u0131n\u0131n ard\u0131ndan \u00e7aya bir ad\u0131m daha yakla\u015f\u0131l\u0131yor. \u00c7ay\u0131n tad\u0131n\u0131 hafifletip a\u011f\u0131zda bir denge sa\u011flayan tatl\u0131 d\u00fcnyan\u0131n mutlulu\u011funu, \u00e7ay\u0131n ac\u0131ms\u0131 tad\u0131n\u0131n ise d\u00fcnyan\u0131n zorlu\u011funu temsil etti\u011fi s\u00f6yleniyor.<\/p>\n
Yamamoto, seremonide amac\u0131n sadece \u00e7ay ikram etmek olmad\u0131\u011f\u0131n\u0131, “\u00c7ay seremonisi yaparken manevi e\u011fitim de al\u0131yoruz. \u00c7\u00fcnk\u00fc \u00e7ay seremonisi yaparken \u00e7ok yava\u015f hareket etmek laz\u0131md\u0131r. Bununla da acele etmeme, sab\u0131rl\u0131 olmak, kar\u015f\u0131 taraftaki insana sayg\u0131 g\u00f6stermenin manevi k\u0131ymetini \u00f6\u011frenebiliriz. Ayn\u0131 zamanda \u00e7ay seremonisi her mevsime has olan \u00e7ay aletleri kullan\u0131yoruz. Bunu yaparak do\u011faya kar\u015f\u0131 da sayg\u0131 g\u00f6sterebiliriz.” s\u00f6zleriyle ifade ediyor.<\/p>\n
Toz halindeki matcha \u00e7ay\u0131n\u0131n muhafaza edildi\u011fi \u201cnatsume” isimli kab\u0131 usulca a\u00e7an Yamamoto, \u00e7ay\u0131 ka\u015f\u0131kla kaseye koyuyor ve \u00fczerine bir miktar s\u0131cak su ekleniyor. Kar\u0131\u015f\u0131m “\u00e7asen” ad\u0131ndaki \u00e7\u0131rp\u0131c\u0131yla kar\u0131\u015ft\u0131r\u0131l\u0131yor.<\/p>\n
Az miktarda suyla haz\u0131rlanan, bol k\u00f6p\u00fckl\u00fc ye\u015fil \u00e7ay nihayet haz\u0131r fakat i\u00e7meden bir rit\u00fcel daha bulunuyor. Kase sa\u011fdan sola 3 kez \u00e7evriliyor. \u00c7ay ustas\u0131 bu i\u015flemi \u015f\u00f6yle anlamland\u0131r\u0131yor:<\/p>\n
“\u00c7ay kasesi, insan\u0131n vesilesiyle ye\u015fil \u00e7ay ald\u0131. \u00c7ay kasesi kapitalist de\u011fil, sadece kendisi i\u00e7in almak istemiyor. Di\u011ferleriyle de bereketi payla\u015fmak istiyor. Kaseyi \u00e7evirmenin anlam\u0131 onlarla bereketi paylamak istedi\u011fini g\u00f6stermek i\u00e7in yap\u0131yoruz. Kase, semazen yap\u0131yor, Tanr\u0131\u2019dan gelen bereketi di\u011ferleriyle payla\u015f\u0131yor.”<\/p>\n
\u00c7ay kasesinin belirli kurallarla tutulmas\u0131 \u00f6nemli. Yanlardan ve taban\u0131ndan tutulan kasedeki matchalar hafif\u00e7e yudumlan\u0131yor. Seremoni yakla\u015f\u0131k 40 dakika s\u00fcr\u00fcyor ve \u00e7ay\u0131n ne kadar lezzetli oldu\u011fu son yudumlar h\u00f6p\u00fcrdeterek i\u00e7ilerek ev sahibine g\u00f6steriliyor.<\/p>\n
Yamamoto, seremoni sonras\u0131 kat\u0131l\u0131mc\u0131larla, Japon \u00c7ay Seremonisinin ger\u00e7ekle\u015ftirildi\u011fi Salis Medresesi’nin bah\u00e7esinde sohbet ediyor.<\/p>\n
\u00c7ay seremonisini, Okayama\u2019da bir ustadan \u00f6\u011frendi\u011fini belirten Yamamota, “Japonya\u2019da 3 \u00e7ay seremonisi okulu var. Urasenke okulundan icazet alm\u0131\u015f bir usta. Usta, beni \u00f6\u011frenci olarak kabul etti. 2 sene e\u011fitim ald\u0131m. Ben, temel seviye \u00f6\u011frencisiyim. Temel seviye olunca S\u00fcleymaniye veya ba\u015fka yerlerde \u00e7ay seremonisi g\u00f6sterebiliyorum.” diye konu\u015ftu.<\/p>\n
Yamamoto, Osmanl\u0131-\u0130slam k\u00fclt\u00fcr\u00fcyle Japonya geleneksel k\u00fclt\u00fcr\u00fc aras\u0131nda ilgin\u00e7 benzerlik oldu\u011funu belirterek, \u00e7ay seremonisini sadece \u00e7ay i\u00e7mek i\u00e7in de\u011fil, manevi e\u011fitim i\u00e7in de yapt\u0131klar\u0131n\u0131 s\u00f6yledi.<\/p>\n
Osmanl\u0131\u2019da tarikatlar\u0131n yemek pi\u015firilirken manevi e\u011fitim verdiklerini dile getiren M\u00fcsl\u00fcman gen\u00e7 akademisyen, “\u00c7ay seremonisinde sadece Japon k\u00fclt\u00fcr\u00fcn\u00fc T\u00fcrk \u00f6\u011frencilere tan\u0131tmak i\u00e7in de\u011fil de T\u00fcrk \u00f6\u011frencilerin kendi k\u00fclt\u00fcrlerinin k\u0131ymeti ya da Japonya k\u00fclt\u00fcr\u00fcn\u00fcn k\u0131ymetini tekrardan hat\u0131rlamak i\u00e7in \u00e7ay seremonisini yap\u0131yorum. T\u00fcrkiye ve Japonya aras\u0131nda manevi k\u00f6pr\u00fc kurmak i\u00e7in yap\u0131yorum.” dedi.<\/p>\n
Yamamoto, Japonya\u2019da \u00e7ay seremonisi gelene\u011finin bitmek \u00fczere oldu\u011funu ifade ederek, \u015funlar\u0131 anlatt\u0131:<\/p>\n
“T\u00fcrkiye\u2019de \u0130bn Haldun \u00dcniversitesi Japonya Ara\u015ft\u0131rmalar\u0131 Merkeziyle kapsaml\u0131 \u015fekilde Japon k\u00fclt\u00fcr\u00fcn\u00fc T\u00fcrk \u00f6\u011frencilere tan\u0131tmak, T\u00fcrkiye\u2019de \u015fimdiye kadar tan\u0131t\u0131lmam\u0131\u015f gelene\u011fi tan\u0131tmak istedim. \u00c7ay seremonisinin en uygun olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcm. S\u00fcleymaniye, Osmanl\u0131 d\u00f6neminde ilim merkeziydi, ayn\u0131 zamanda k\u00fclt\u00fcr merkeziydi. Orada da \u00f6\u011frenciler sadece ilmi e\u011fitim de\u011fil, manevi e\u011fitim de al\u0131yordu. Bu gelene\u011fi bir Japon olarak, Japon k\u00fclt\u00fcr\u00fcn\u00fc kullanarak tekrardan ihya etmek istedim, \u00f6zellikle de Japon bir M\u00fcsl\u00fcman olarak. S\u00fcleymaniye\u2019de ihya projesi olarak \u00e7ay seremonisi yapmaya ba\u015flad\u0131m.”<\/p>\n
Kaynak: AA<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0130stanbul’da farkl\u0131 \u00fcniversitelerde \u00e7al\u0131\u015fan Japon Naoki Qayyim Yamamoto, k\u00f6keni yakla\u015f\u0131k 700 y\u0131l \u00f6nceye dayanan Japon…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25820],"tags":[],"class_list":["post-70618","post","type-post","status-publish","format-standard","hentry","category-yemek-gurme"],"views":178,"_links":{"self":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts\/70618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/comments?post=70618"}],"version-history":[{"count":1,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts\/70618\/revisions"}],"predecessor-version":[{"id":70620,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts\/70618\/revisions\/70620"}],"wp:attachment":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/media?parent=70618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/categories?post=70618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/tags?post=70618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}