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<\/a><\/p>\nKad\u0131k\u00f6y Gazi Mustafa Kemal Pa\u015fa \u0130lkokulunu bitiren Man\u00e7o, Galatasaray Lisesine devam etti. Sanat\u00e7\u0131, ilk grubunu 1958’de Galatasaray Lisesinde okurken, “Bar\u0131\u015f Man\u00e7o ve Kafadarlar” ad\u0131yla kurdu ve “Dream Girl” adl\u0131 ilk bestesine imza att\u0131. \u0130lk konserini de Galatasaray Lisesinin konferans salonunda veren sanat\u00e7\u0131, 10. s\u0131n\u0131ftayken babas\u0131n\u0131 kaybetti.<\/p>\n
Bar\u0131\u015f Man\u00e7o, babas\u0131n\u0131n vefat\u0131n\u0131n ard\u0131ndan Galatasaray Lisesinden ayr\u0131larak, \u015ei\u015fli Terakki Lisesine devam etti.<\/p>\n
“Harmoniler” grubuyla 1962’de ilk 45’lik pla\u011f\u0131n\u0131 \u00e7\u0131karan Man\u00e7o, 19 ya\u015f\u0131ndayken yay\u0131mlad\u0131\u011f\u0131 bu alb\u00fcmde, \u0130ngilizce s\u00f6zl\u00fc “Twist in USA” ve “The Jet” isimli iki \u015fark\u0131ya imza att\u0131.<\/p>\n
Bel\u00e7ika’da gece bek\u00e7ili\u011fi ve garsonluk yapt\u0131<\/h3>\n
Usta sanat\u00e7\u0131, 1963’te Bel\u00e7ika’daki a\u011fabeyi Sava\u015f Man\u00e7o’nun yan\u0131na giderek, Bel\u00e7ika G\u00fczel Sanatlar Akademisine kaydoldu. Okulda resim, grafik, desen ve i\u00e7 mimari okuyan Man\u00e7o, bir taraftan da gece bek\u00e7ili\u011fi ve garsonluk yapt\u0131.<\/p>\n
M\u00fczikle ba\u011f\u0131n\u0131 koparmayan sanat\u00e7\u0131, bir r\u00f6portaj\u0131nda kendisini \u015fu s\u00f6zlerle anlatm\u0131\u015ft\u0131:<\/p>\n
“Bar\u0131\u015f Man\u00e7o \u015fark\u0131 s\u00f6yler, ikincisi \u00e7ocuk program\u0131 yapar, \u00fc\u00e7\u00fcnc\u00fcs\u00fc d\u00fcnyay\u0131 gezer. Bu toplum beni \u015fark\u0131 s\u00f6ylerken tan\u0131d\u0131 ve \u00e7ocuklarla ilgilenirken bir daha tan\u0131d\u0131 ve bu arada d\u00fcnyay\u0131 dola\u015f\u0131p ba\u015fka insanlar\u0131 anlatan ki\u015fi olarak tan\u0131d\u0131. Ben bu d\u00fcnyaya \u015fark\u0131c\u0131 olarak gelmedim. Benim birinci i\u015fim bu de\u011fil. Ben d\u00fc\u015f\u00fcncelerimi bu d\u00fcnyaya aktarmak i\u00e7in geldi\u011fime inan\u0131yorum. Bu d\u00fc\u015f\u00fcnceler bazen m\u00fczik e\u015fli\u011finde daha g\u00fczel, daha \u015firin, daha ho\u015f alg\u0131lan\u0131yor. Onun i\u00e7in bana verilen bu nimeti kulland\u0131m.”<\/p>\n
Bar\u0131\u015f Man\u00e7o, yabanc\u0131 m\u00fczisyenlerden olu\u015fan “Vah\u015fi Kediler” grubuyla da bir s\u00fcre \u00e7al\u0131\u015ft\u0131. Sanat\u00e7\u0131n\u0131n, 1964’te doldurdu\u011fu biri \u0130ngilizce, ikisi Frans\u0131zca \u00fc\u00e7 \u015fark\u0131l\u0131k 45’li\u011fi Fransa’da yay\u0131mland\u0131.<\/p>\n
“Kol D\u00fc\u011fmeleri”ni, Mazhar Alanson ve Fuat G\u00fcner’in Kayg\u0131s\u0131zlar grubuyla \u00e7\u0131kard\u0131<\/h3>\n
Paris Olympia’da 12 Ocak 1965’te konser veren sanat\u00e7\u0131, Mazhar Alanson ve Fuat G\u00fcner’in \u00f6nc\u00fcl\u00fc\u011f\u00fcndeki “Kayg\u0131s\u0131zlar” grubuyla 1967’de “Kol D\u00fc\u011fmeleri”ni \u00e7\u0131kard\u0131.<\/p>\n
D\u00f6nemin aranjman modas\u0131na tepki g\u00f6steren Bar\u0131\u015f Man\u00e7o, “K\u0131z\u0131lc\u0131klar Oldu mu?”, “Derule”, “Kirpiklerin Ok Ok Eyle” adl\u0131 t\u00fcrk\u00fcleri rock’n roll ve twist tarzlar\u0131nda seslendirdi. “Sychedelic” m\u00fczik ak\u0131m\u0131ndan da etkilenen Man\u00e7o ve grubu, “A\u011flama De\u011fmez Hayat” \u015fark\u0131s\u0131yla ba\u015far\u0131 yakalad\u0131. “Alt\u0131n Plak” \u00f6d\u00fcl\u00fc kazanan alb\u00fcm\u00fcn ard\u0131ndan Bar\u0131\u015f Man\u00e7o ve Kayg\u0131s\u0131zlar, Fransa’ya gitti. Plak \u00e7al\u0131\u015fmas\u0131 yap\u0131lsa da alb\u00fcm uzun s\u00fcre piyasaya s\u00fcr\u00fclmedi ve Kayg\u0131s\u0131zlar ile yollar\u0131n\u0131 ay\u0131ran sanat\u00e7\u0131, 1970’te yurda d\u00f6nd\u00fc.<\/p>\n
Bar\u0131\u015f Man\u00e7o’nun 1970’te besteledi\u011fi “Da\u011flar Da\u011flar” adl\u0131 esere yer verdi\u011fi pla\u011f\u0131, kariyerinde bir d\u00f6n\u00fcm noktas\u0131 oldu ve sanat\u00e7\u0131ya Platin Plak \u00d6d\u00fcl\u00fc kazand\u0131rd\u0131. D\u00f6nemin \u00fcnl\u00fc m\u00fczisyenlerinden C\u00fcneyd Orhon’un da e\u015flik etti\u011fi plak, k\u0131sa s\u00fcrede 700 bin satt\u0131.<\/p>\n
“Mo\u011follar” ile de bir s\u00fcre \u00e7al\u0131\u015fan Bar\u0131\u015f Man\u00e7o’nun, Anadolu turnesi s\u0131ras\u0131nda otob\u00fcs\u00fc dinamitli sald\u0131r\u0131ya u\u011frad\u0131. Man\u00e7o’nun sa\u00e7lar\u0131n\u0131n uzun olmas\u0131 dolay\u0131s\u0131yla ger\u00e7ekle\u015ftirildi\u011fi \u00f6ne s\u00fcr\u00fclen sald\u0131r\u0131da sanat\u00e7\u0131lar yara almad\u0131.<\/p>\n
M\u00fczisyenlerden birinin yabanc\u0131 uyruklu olmas\u0131 nedeniyle de Antalya’da g\u00f6zalt\u0131na al\u0131nan Bar\u0131\u015f Man\u00e7o, ilk duru\u015fmada serbest kald\u0131.<\/p>\n
Kurtalan Ekspres’i kurdu<\/h3>\n
Bar\u0131\u015f Man\u00e7o, Mo\u011follar’la yollar\u0131 ay\u0131r\u0131p “Kurtalan Ekspres”i kurdu. \u0130smini \u0130stanbul’dan G\u00fcneydo\u011fu’ya giden trenden alan grupta, Murat Ses, Nur Moray, Celal G\u00fcven, \u00d6zkan U\u011fur ve Engin Y\u00f6r\u00fcko\u011flu yer al\u0131yordu. Bir s\u00fcre sonra, ayr\u0131l\u0131klar ya\u015fanan gruba, Man\u00e7o’nun uzun y\u0131llar birlikte \u00e7al\u0131\u015faca\u011f\u0131 Ahmet G\u00fcven\u00e7 ile Bahad\u0131r Akkuzu dahil oldu.<\/p>\n
Askerli\u011fini yedek subay olarak Polatl\u0131 ve Amasya’da yapan Man\u00e7o, vatani g\u00f6revin ard\u0131ndan Kurtalan Ekspres ile Anadolu turnesine \u00e7\u0131kt\u0131.<\/p>\n
\u0130lk y\u0131llar\u0131nda k\u0131sa sa\u00e7l\u0131 olarak sahneye \u00e7\u0131kan usta sanat\u00e7\u0131n\u0131n T\u00fcrkiye’de herkesin haf\u0131zas\u0131na kaz\u0131nan uzun sa\u00e7lar\u0131, otantik k\u0131yafetleri, bilezik, y\u00fcz\u00fck ve kemerle tasarlad\u0131\u011f\u0131 imaj\u0131 ile tiyatral yetenekleri olduk\u00e7a ilgi \u00e7ekti.<\/p>\n
Bar\u0131\u015f Man\u00e7o’nun ilk uzun\u00e7alar\u0131 (LP) “2023”, 1975’te \u00e7\u0131kt\u0131. “Progresif rock” esintileri ta\u015f\u0131yan alb\u00fcmde, Cumhuriyet’in 100. y\u0131l\u0131 an\u0131s\u0131na sanat\u00e7\u0131n\u0131n besteledi\u011fi enstr\u00fcmantal \u015fark\u0131 “2023”\u00fcn yan\u0131 s\u0131ra “Yine Yol G\u00f6r\u00fcnd\u00fc Gurbete” ve “Yol Verin A\u011falar Beyler” adl\u0131 \u015fark\u0131lar be\u011feni toplad\u0131.<\/p>\n
Yurt d\u0131\u015f\u0131nda da ba\u015far\u0131l\u0131 olmay\u0131 hedefleyen Man\u00e7o, Bel\u00e7ika’ya giderek, 1976’da “Baris Mancho” adl\u0131 ilk \u0130ngilizce s\u00f6zl\u00fc alb\u00fcm\u00fcn\u00fc yay\u0131mlad\u0131.<\/p>\n
“Yeni Bir G\u00fcn” alb\u00fcm\u00fcn\u00fc 1979’da m\u00fczikseverlerin be\u011fenisine sunan sanat\u00e7\u0131 “Hey” dergisinin, “Y\u0131l\u0131n Erkek Sanat\u00e7\u0131s\u0131” ve “Y\u0131l\u0131n Alb\u00fcm\u00fc” \u00f6d\u00fcllerini ald\u0131. Ayn\u0131 y\u0131l \u00e7\u0131kt\u0131\u011f\u0131 Anadolu turnesinin t\u00fcm gelirini sa\u011f\u0131r ve dilsiz \u00e7ocuklar\u0131n e\u011fitimi ve tedavisi i\u00e7in ba\u011f\u0131\u015flayan Man\u00e7o, daha sonra Hollanda, Bel\u00e7ika, \u0130ngiltere, Almanya ve K\u0131br\u0131s’ta konserler verdi.<\/p>\n
Bel\u00e7ika’daki konserden d\u00f6nerken 24 A\u011fustos 1979’da Edirne’de bir trafik kazas\u0131 ge\u00e7iren Man\u00e7o, bir s\u00fcre sahnelerden uzak kald\u0131.<\/p>\n
Eserlerinde toplumsal konulara de\u011findi<\/h3>\n
Bar\u0131\u015f Man\u00e7o, 1981’in sonuna do\u011fru “S\u00f6z\u00fcm Meclisten D\u0131\u015far\u0131” alb\u00fcm\u00fcn\u00fc m\u00fczikseverlerin be\u011fenisine sundu.<\/p>\n
“G\u00fcl Pembe”, “Ali Yazar Veli Bozar” ve “Alla Beni Pulla Beni” adl\u0131 unutulmaz \u015fark\u0131lar\u0131n yan\u0131 s\u0131ra “D\u00f6nence”nin de yer ald\u0131\u011f\u0131 alb\u00fcm\u00fcn pek \u00e7ok \u015fark\u0131s\u0131, bir s\u00fcre TRT’nin denetleme kuruluna tak\u0131larak, televizyon ve radyoda \u00e7al\u0131namad\u0131.<\/p>\n
Halkla kurdu\u011fu ba\u011f\u0131 1983’te “Esta\u011ffurullah Ne Haddimize”, 1985’te “24 ayar”, 1986’da “Sahibinden \u0130htiya\u00e7tan” alb\u00fcmleriyle g\u00fc\u00e7lendiren Man\u00e7o, 1989’da “Dar\u0131s\u0131 Ba\u015f\u0131n\u0131za”, 1992’de “Mega Man\u00e7o”, 1995’te “M\u00fcsaadenizle \u00c7ocuklar”, 1996’da ise “Live in Japan” alb\u00fcmlerini sevenleriyle bulu\u015fturdu.<\/p>\n
Man\u00e7o, m\u00fczikte a\u00e7t\u0131\u011f\u0131 yolun yan\u0131 s\u0131ra \u015fark\u0131 s\u00f6zleriyle de k\u00fclt\u00fcr hayat\u0131na \u00f6nemli katk\u0131larda bulundu.<\/p>\n
Bir\u00e7ok \u015fark\u0131s\u0131n\u0131n son k\u0131tas\u0131nda, kendi ismine yer veren sanat\u00e7\u0131, eserlerinde unutulan de\u011ferleri hat\u0131rlatt\u0131, toplumsal konulara ve ailenin \u00f6nemine dikkati \u00e7ekti.<\/p>\n
Bar\u0131\u015f Man\u00e7o, 1970’te k\u0131sa s\u00fcren bir evlilik yapt\u0131. Lale \u00c7a\u011flar ile 1979’da evlenen Man\u00e7o’nun “Do\u011fukan Hazar” ve “Bat\u0131kan Zorbey” ismini verdi\u011fi iki o\u011flu d\u00fcnyaya geldi.<\/p>\n
“7’den 77’ye” ile g\u00f6n\u00fcllere taht kurdu<\/h3>\n
\u0130\u00e7indeki \u00e7ocu\u011fu hi\u00e7bir zaman kaybetmedi\u011fini her f\u0131rsatta aktaran usta sanat\u00e7\u0131, y\u00f6netmen Oksal Pekmezo\u011flu’nun 1975’te \u00e7ekti\u011fi “Baba Bizi Eversene” filminin ba\u015frol\u00fcnde oynad\u0131.<\/p>\n
Bar\u0131\u015f Man\u00e7o, haz\u0131rlad\u0131\u011f\u0131 “7’den 77’ye” adl\u0131 program\u0131, 1988’de TRT y\u00f6netimine kabul ettirmeyi ba\u015fard\u0131. Programda, \u00e7ocuklara \u00f6\u011f\u00fctler verdi\u011fi “Adam Olacak \u00c7ocuk”, ya\u015fl\u0131lara sayg\u0131n\u0131n \u00f6nemine dikkati \u00e7ekti\u011fi “\u0130kinci Kahvalt\u0131”, d\u00fcnyay\u0131 dola\u015ft\u0131\u011f\u0131 “D\u00f6nence” ve T\u00fcrkiye’yi dola\u015ft\u0131\u011f\u0131 “Dere Tepe T\u00fcrkiye” ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcmlere yer verdi. Program, 1988-1998’de 10 y\u0131l boyunca her pazar \u00f6\u011fleden \u00f6nce TRT 1’de yay\u0131mland\u0131, daha sonra TGRT ve ATV’de de izleyiciyle bulu\u015ftu.<\/p>\n
BBC’de 1991’de yay\u0131nlanan bir r\u00f6portaj\u0131nda T\u00fcrkiye’nin baz\u0131 \u00fclkeler i\u00e7in “s\u00f6zde Avrupa” \u00fclkesi olarak g\u00f6r\u00fcld\u00fc\u011f\u00fcne vurgu yapan sanat\u00e7\u0131, “Biz \u00fclkeleri, T\u00fcrklerin dostu olan ve olmayan \u00fclkeler diye ay\u0131r\u0131r\u0131z. \u00c7\u00fcnk\u00fc biz kendimizi d\u00fcnyan\u0131n merkezi olarak g\u00f6r\u00fcyoruz. (\u0130ngiltere) Dostumuz de\u011fil. Hay\u0131r. Ge\u00e7mi\u015f tarihe gitti\u011fimizde dostumuz de\u011fil, hay\u0131r. 1. D\u00fcnya Sava\u015f\u0131’na gidersek, Arabistanl\u0131 Lawrence’\u0131 bilirsin.” ifadeleriyle dikkati \u00e7ekmi\u015fti.<\/p>\n
“Modern halk ozan\u0131” olmas\u0131n\u0131n yan\u0131nda, “T\u00fcrk televizyonlar\u0131n\u0131n ilk gezgini” olarak da g\u00f6sterilen sanat\u00e7\u0131, 5 k\u0131tada, 140 y\u00f6rede 800 bin kilometreye yak\u0131n yol katetti.<\/p>\n
Man\u00e7o, Ertu\u011frul F\u0131rkateyni’nin Japonya’ya geli\u015finin 100. y\u0131l\u0131 dolay\u0131s\u0131yla 1990’da d\u00fczenlenen “T\u00fcrk-Japon dostlu\u011fu” etkinlikleri i\u00e7in gitti\u011fi Japonya’da b\u00fcy\u00fck bir co\u015fkuyla kar\u015f\u0131land\u0131. \u015eark\u0131lar\u0131nda Japonca s\u00f6zlere de yer veren unutulmaz sanat\u00e7\u0131ya “Min-On Vakf\u0131 Y\u00fcksek \u015eeref Madalyas\u0131” verildi. Man\u00e7o, buradaki konser kayd\u0131n\u0131 da “Live in Japan” ad\u0131yla yay\u0131mlad\u0131.<\/p>\n
Alb\u00fcmlerinden birine Cumhuriyet’in 100. y\u0131l\u0131n\u0131n kutlanaca\u011f\u0131 y\u0131l olan “2023” ismini veren Bar\u0131\u015f Man\u00e7o, bir r\u00f6portaj\u0131nda, “Benim birka\u00e7 hayalim var, 80 ya\u015f\u0131ndayken elimde bastonum, belki kolumda Do\u011fukan, onun yard\u0131m\u0131yla \u00e7\u0131kar\u0131m sahneye ve senfoni orkestras\u0131na 2023’\u00fc \u00e7ald\u0131rmak en b\u00fcy\u00fck ideallerimden birisi.” demi\u015fti.<\/p>\n
Yakla\u015f\u0131k 200 besteye imza att\u0131<\/h3>\n
M\u00fczik hayat\u0131n\u0131 anlatt\u0131\u011f\u0131 “40. Y\u0131l” \u015fark\u0131s\u0131n\u0131 besteleyen Bar\u0131\u015f Man\u00e7o, bir d\u00f6neme damgas\u0131n\u0131 vuran \u015fark\u0131lar\u0131n\u0131 yeniden d\u00fczenleyerek seslendirdi.<\/p>\n
Sanat\u00e7\u0131, 31 Ocak’\u0131 1 \u015eubat 1999’a ba\u011flayan gece, ani tansiyon d\u00fc\u015fmesi sonucu fenala\u015ft\u0131. Tedavi alt\u0131na al\u0131nan 56 ya\u015f\u0131ndaki sanat\u00e7\u0131, m\u00fcdahaleye kar\u015f\u0131n kurtar\u0131lamad\u0131.<\/p>\n
Bar\u0131\u015f Man\u00e7o’nun cenazesi, Atat\u00fcrk K\u00fclt\u00fcr Merkezi’nde yap\u0131lan t\u00f6renin ard\u0131ndan Kanl\u0131ca Mezarl\u0131\u011f\u0131’na defnedildi.<\/p>\n
Yakla\u015f\u0131k 40 y\u0131ll\u0131k sanat hayat\u0131nda 200 besteye imza atan, ulusal ve uluslararas\u0131 alanda pek \u00e7ok \u00f6d\u00fcle lay\u0131k g\u00f6r\u00fclen sanat\u00e7\u0131n\u0131n ald\u0131\u011f\u0131 \u00f6d\u00fcllerden baz\u0131lar\u0131 \u015f\u00f6yle:<\/p>\n
“1980’de “Alt\u0131n Orfe” \u00d6d\u00fcl\u00fc, 1987’de “Bel\u00e7ika K\u00fclt\u00fcr El\u00e7isi”, 1991’de “T\u00fcrkiye Cumhuriyeti Devlet Sanat\u00e7\u0131s\u0131”, “Hacettepe \u00dcniversitesi Onursal Doktora ve Japonya Soka \u00dcniversitesi K\u00fclt\u00fcr ve Bar\u0131\u015f \u00d6d\u00fcl\u00fc”, 1992’de “Bel\u00e7ika Krall\u0131\u011f\u0131 Leopold II \u015e\u00f6valyesi Ni\u015fan\u0131” ve “Frans\u0131z K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 Edebiyat ve Sanat \u015e\u00f6valyesi Ni\u015fan\u0131”, 1994’te Kocaeli \u00dcniversitesi Bar\u0131\u015f Diplomas\u0131, 1995’te T\u00fcrkmenistan Cumhurba\u015fkanl\u0131\u011f\u0131 T\u00fcrkmen vatanda\u015fl\u0131\u011f\u0131, 1995’te Pamukkale \u00dcniversitesinden onursal doktora, 1995’te “Japonya Min-On Vakf\u0131 Y\u00fcksek \u015eeref Madalyas\u0131”, 1997’de “Bel\u00e7ika Liege Prensli\u011fi Onursal Hem\u015ferilik Berat\u0131”<\/p>\n
Kaynak: AA<\/p>\n","protected":false},"excerpt":{"rendered":"
Anadolu rock ve pop m\u00fczi\u011fin unutulmayan isimlerinden, \u015fark\u0131c\u0131, besteci, s\u00f6z yazar\u0131 ve televizyon programc\u0131s\u0131 Mehmet…<\/p>\n","protected":false},"author":1,"featured_media":76879,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[99,1,17438],"tags":[],"class_list":["post-76878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin","category-manset","category-yasam"],"views":72,"_links":{"self":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts\/76878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/comments?post=76878"}],"version-history":[{"count":1,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts\/76878\/revisions"}],"predecessor-version":[{"id":76880,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/posts\/76878\/revisions\/76880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/media\/76879"}],"wp:attachment":[{"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/media?parent=76878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/categories?post=76878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.haberegider.com\/blog\/wp-json\/wp\/v2\/tags?post=76878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}